Urvah Khan
Urvah Khan (she/ her) is a Canadian Pakistani musician based out of Toronto, Canada. Reconciling Muslim tradition with western culture has provided the fuel for Khan’s hybrid form of rock and roll she calls “Scrap” as in “Rock is dead. We rebuilt this from the Scraps.” Urvah Khan was born in Karachi, Pakistan and arrived in Canada with her family as a teenager.
The daunting task of fitting into North American culture as a non-conforming foreigner was at times overwhelming, but this backdrop shaped Khan’s path as an artist and ignited her desire to provide safe performance environments for artists who share a similar experience.
With over 15 years as an independent artist, Urvah Khan has gained a global following through her captivating online performances and live shows. Her unique story and music have reached millions, earning recognition from prestigious outlets like the BBC, CBC, Vice, and Sports Centre LA. Known for her fierce onstage presence, Urvah Khan demands attention wherever she performs. She has independently toured and mesmerised audiences in Toronto, Baltimore, Los Angeles, the United Kingdom, and Pakistan since 2009.
In 2016, during a soul-searching trip back to Pakistan, Urvah Khan discovered, “that they have never seen nor had a female rapper, rocker like me.” Her mission became clearer and she planned her move to Pakistan for a few months, put together a local line up and gave them their first taste of how women can be leaders in rock and roll. ‘Urvah Khan Is Helping Push the New Frontier of Punk from Toronto to Pakistan’; says Bandana Singh while reporting for VICE.
Urvah Khan launched ScrapFest and Muslim Pride in Toronto between 2019 and 2020, two groundbreaking festivals that celebrate diversity and empower marginalised communities and sexual/gender minorities. ScrapFest, a revolutionary force that challenges norms and sparks crucial conversations, has now expanded to Pakistan. Meanwhile, Muslim Pride fills a significant gap for queer and trans Muslims during Pride season, fostering celebration and inclusion amid rising Islamophobia.
In June 2022, Urvah Khan had the honour of opening a show for her rock idol, Bif Naked, during Canadian Music Week. Bif Naked herself declared Urvah Khan the most important artist of our time in an interview on SiriusXM.
However, Urvah Khan and ScrapFest have faced their share of controversy. In early 2023, as the festival was scheduled to take place in Pakistan, it encountered unprecedented challenges due to misinformation and fake propaganda spread by religious extremists and influencers. Despite prioritising safety and the well-being of headlining artists from Pakistan's Khawaja Sara/ Transgender community, ScrapFest experienced a harsh setback. A provincial High Court heartlessly banned ScrapFest from mainstream public spaces, targeting the festival's essence and endangering performers' safety. Faced with adversity, many artists and collaborators reluctantly withdrew from the event, fearing for their security.
Nevertheless, the spirit of ScrapFest refused to be silenced. In an act of unwavering bravery, a handful of artists defied the odds, gathering at a hidden location to capture the essence of what the festival could have been. These glimpses of ScrapFest's true spirit were released virtually the next day, showcasing the formidable resilience and commitment of Pakistan's trans and underground talent. Pakistan’s Axing of transgender music festival shows ‘nation’ not ready to be inclusive- says Sonia Sarakar from South China Morning Post. Another ban was imposed on ScrapFest in Lahore, December of 2023 by the deputy commissioner incharge prohibiting for the event to take place in public or private venues. Once again ScrapFest went underground, filmed the event and released it online.
Urvah Khan's musical journey has reached a new pinnacle with her 7th album in the works; ‘Rockism” set to release in 2025. As reported by Veronica Zaretski for CBC, Urvah Khan's innovative approach and emotional depth captivate listeners, leaving them yearning to delve deeper into her remarkable musical odyssey. ‘Khan is building a new music world out of broken pieces — one that's inclusive and fearlessly feminist’.
